Rodrigo Cortes Interview - Dolby Atmos

Recently we were asked to provide video production for an interview with Spanish film director, Rodrigo Cortes. The interview, by Dolby's director of Distribution Services, Julian Pinn formed part of Dolby Laboratories' promotion of their new Dolby Atmos surround system.

Dreambase provided camera, lighting and sound recording services for the interview, which was filmed at Dolby's Wiltshire-based theatre.

Dolby once again changes the auditory experience for the industry and consumers with Atmos. Dolby Atmos is a break-through, new audio platform that will change the way people experience entertainment sound. The revolutionary technology seamlessly blends onscreen visuals with enhanced audio by not limiting the sound to channels or fixed speaker locations. Launching in the cinema, Dolby Atmos delivers an even more natural and realistic sound-field, by transporting people into the story with a life-like, sensory experience.


About Dolby Atmos
from Dolby Laboratories on Vimeo.

Rodrigo Cortes' new film Red Lights is to make use of the Dolby Atmos system and was released in the UK on 15th June

Dolby's Julian Pinn interviews Director Rodrigo Cortés on Dolby Atmos
from Dolby Laboratories on Vimeo.
 



Official Trailer:

Sound Post for Verity's Summer

We recently completed sound post production on Verity's Summer, a new feature film by Palme D'Or nominee Director, Ben Crowe.

Verity's Summer is the story of a young woman’s journey from the security of childhood to the compromises of adulthood and moral ambiguities of love. It is also an intimate portrayal of a family coming to terms with the traumas and violence of distant war that are brought back home.

The film stars, Indea Barbe-Willson, Martin McGlade, James Doherty, Nicola Wright, and Christian Hogas and was shot on location in the North East.

'The ambiences play a big part in this film and we wanted to create distinctive 'backgrounds' for each part of the film', comments sound designer, Alex Hudd. 'The coast is ever present in the film and so from a 'sound tag' point of view I wanted to make sure the sea sounds were distinctive and repeatable if necessary in order to reinforce the scenes.'

For the ambiences, Alex spent a weekend in West Wales recording lots of different locations for the film. 'I had already spotted the film for what I needed to record but I took a rough cut of the film on my iPhone so I was able to get an idea of perspective there and then when making decisions on where to position the microphones for the best recording. I took many different sound perspectives from close up to the waves, to many hundreds of meters away, at times. I also took recordings of the countryside nearby as these also play an important part in many of the scenes in Verity's Summer.

A chance recording I made of some sea birds defending territory on one of the beaches was also very useful in several scenes during post production. I chose Wales partly because it offered the same 'sound feel' as the visuals had suggested to me but also because it is largely free of interference from transport such as aircraft, motorways and trains. In fact, recording on location in many parts of Wales is, at times like having your own outdoor studio, such is the absence of external sound interference. And I also love visiting this area, so it was a good excuse for a short break!!'

Ambience recordings were combined with other sounds in order to subtly change the mood of the film as a scene progressed. For example, we were keen to make sure we had simple but dark textures in some scenes, particularly the more difficult dialogue subjects. In others, such as Verity's garden we wanted to make the sound detailed and comfortable, as the garden is often a place of solace for her.'

Among the many Foley sounds we recorded were a variety of Trangia sounds for when one of the characters (Martin McGlade, as Castle) is eating in his encampment. Dreambase Studios' co-director Mark enjoyed a 'camping' lunch of cold baked beans and stale bread that day in order to complete the Foley recording for the scene, but once edited in it worked tremendously well and was absolutely necessary due to rain interference on the original production tracks.

Verity's Summer premieres on 21st April 2012 at London's Shortwave Cinema.

Sound Post for 'The Harsh Light Of Day'

Dreambase Studios have recently completed the sound post production on British Independent Horror film, The Harsh Light of Day. Directed by Oliver Milburn and produced by Emma Biggins at Multistory Films. We worked with them to create a dynamic, theatrical mix that keeps you on the edge of your seat.

SYNOPSIS: After returning home from the launch of his book about the occult, Daniel Shergold's house is broken into by thugs, who beat his wife to death and leave him paralyzed. A depressed agoraphobic in his secluded country cottage, Daniel mourns the death of his wife while being cared for by home nurse, Fiona. He is unable to accept the lack of success the police have in finding his wife's killers. Daniel accepts a visit from a mysterious stranger who insists he can help him reap revenge. He agrees and is thrown into a strange and horrific transition into darkness. With renewed strength, Daniel sets out to avenge his wife's murder, but at what cost?

From the outset HLOD needed a soundtrack that was set 'completely in reality' one minute and then going 'off on one' the next. These dynamics were intended to give the viewer a full gamut of aural experiences, from a comfortable almost anodyne setting to uncertain, or at times excruciating pieces.

Shooting outdoors and on the coast presented the usual sound issues, so wild tracks, Foley recordings and sound design were used extensively to convey the appropriate sentiment in these scenes, from water lapping on a pebbly beach to the atmosphere of a dock yard. In contrast, the 'sound' of the house in the film is almost silent, again to emphasise the isolation of the cottage and to ensure the film exhibited plenty of sound dynamics.

The film's producer Emma Biggins commented at the premiere: 'the screening went really well tonight - looked and sounded fantastic'

HLOD is released in cinemas on Friday 13th April 2012.

Hover Chase 4D Sound Design

We've just completed sound design on what is probably one of the most exciting experiences to come out this year. Produced by Lightworx Media and distributed by The Juice, Hover Chase 4D is an attraction ride experience that takes you on a hover bike race through city streets, oil refineries, forests, and caves. Participants in the ride not only experience 3D picture and 5.1 sound, but are also treated to moving seats, wind, smell, and water effects, amongst others.

The challenge for the soundtrack was to create a believable and powerful sound for the hover bike. You experience the ride from the point of view of one of the racers and so the sound of the hover bike had to react to every twist and turn during the 5 minute ride. The rise and fall of the engine was designed to compliment the speed and direction of the hover bike. In addition to this the other bikes in the race had to be sounded and directed as they moved on the screen in such a was as you really feel part of the action and excitement, not to mention the flyby's, battles and explosions,

In addition the atmospheres of each of the locations in the race were designed also to bring a sense of being there for the ride's participants. The underlying music score, composed at Dreambase helps to keep the pace of the ride throughout so that from start to finish the experience is one that you'll never forget and one that you'll want to come back for more.

The ride is now available for licensing from The Juice.

Location Recording for 'Billiam'

We have recently been on location, recording for new Swindon-based film 'Billiam'. It's a story of how one brother literally met his other brother!

The film is produced by Bald n Hairy Films (Billy Rees and Doug Kirby) and also directed by Doug Kirby.

For part of the film the superb Oxford Brooks Ferndale Campus training centre in Swindon proved itself as an excellent film set with most props on site already. The film also has a number of external scenes shot around Swindon.

Some of the other internal locations (in normal houses and flats) posed challenges both from a camera and sound point of view, partly due to very limited space and poor acoustics. Once a small bathroom has a camera, tripod, lighting and actors there's not much room for the microphone too but fortunately we managed to get some good sound in the end. Possibly the most cramped location was lying down across the back seat of a small hatchback car complete with sound mixer, recorder and leads draped on top!

A very tight, multi-location filming schedule meant that the first take was often the rehearsal, so all crew members and actors were kept on their toes in order to get it right first time.

Dialogue mics were interchanged between shotgun and hyper-cardioid, depending on the space we were recording in.

Dreambase Studios will be completing the sound post on this film later on this year so stay tuned for another Blog regarding that stage in the production.

The clip below is an out-take from one of the bar scenes in the film. Enjoy!

Surround Sound for Tritton Headphone Promo

We've recently completed the sound mix in partnership with Echoic Audio for a gaming headphone promotional animation.

Tritton Technologies Inc. manufactures a range of gaming specific headphones, most with multiple speakers in each ear cup. As part of their promotional campaign they needed an audio visual promotional piece to take to trade shows and to put up on-line to show off the products.

We worked with Echoic Audio to mix an engaging and dynamic soundtrack with enough surround to really show off the capabilities of the headphone system.

The sound on this video uses special audio encoding which mimics the effects of surround sound on a standard pair of headphones, sit back, put on a 'normal' pair of headphones and enjoy the 'out-of-the-head' experience on this fantastic project. The Tritton headphones have 4 tiny speakers in each ear giving a discrete surround sound experience.

Recording for Actor Voice Reel

We recently had actor Richard Cambridge in the studio to record his new commercial voice reel. To compliment Richard's excellent and wide ranging vocal performances, we also added some sound fx and music loops to complete the commercial content. Also included is an example of Richard's narrative.



We used a Neumann TLM-103 mic in to a TL Audio 5051 channel strip to record Richard's voice. Sound fx and music were added as appropriate from our library.

The commercial spots were adapted and written by Richard himself and Dreambase Studios' director of sound, Alex Hudd, in order to demo a wide range of creativity and delivery from one voice.

If you need a similar service for your voice reel or indeed any other voiceover, please don't hesitate to get in touch with us and see what we can do to promote your talents.

Sound Design: Coffin Fit

We recently completed original music and sound design for award winning director, David Hawk's new film teaser trailer 'Coffin Fit'.

David's brief was for the sound to be dark and menacing, with an air of mystery and uncertainty.

We made extensive use of the excellent Sculpture soft synth found in Logic 9. Combining wind type textures with a ring-modulator; random morphing of low and high frequency string sections along with some Gregorian choir type sounds on a Gsus4/D chord, we created a menacing and brooding bed. Over this we added some flicker effects to coincide with the text effects on the picture. We also used location recordings of the coffin lid used for the filming to get some hinge creaks and lid bangs. The 'finale' is punctuated by several layers of sound including a pig squeal and a human 'ch' sound. The title script is carved into the wood at the end of the piece and actual scraping of wood was recorded and carefully processed and timed to fit with both the strength and length of each letter scratch. The recording of the struggle from inside the coffin was also made during the shoot. If you're wondering whether or not he escapes in the end, then you'll just have to wait for the final movie to be released...

The incidental music appearing over the end credits continues with the same brooding bed, only this time accompanied by a lonely piano around a C11/Bb and C#maj7 chord pattern, which in conjunction with the aforementioned Gsus4/D creates an atmosphere of both mystery and unease.

On hearing the final soundmix David commented, 'Thank you so much for this. You really made the work leap from my brain onto the screen'.

The teaser trailer has been released but the film has been put on hold for the time being whist David concentrates on another film project. Dreambase Studios also shot the 'Behind the Scenes' making of the teaser trailer which can viewed here.

David Hawk has recently won awards for his excellent short film 'Special Delivery' and we look forward to working with him again on future projects.

'Skateboards and Spandex' - Trailer

Here's the Trailer that we mixed this week. A fantastic short that made everyone laugh during this years UKFC/Blank Slate 2010 screenings at BAFTA along with the film Frequency, which we completed sound post production. These films were also part of the Encounters Film Festival 2010. If you like this, you should check out Mustapha Kseibati's last short too 'Big Tingz', very funny.

A 2010 UK Film Council / B3 Media Blank Slate short film. A bullied teenage schoolboy teams up with two misfits to defeat the bully and win a girl's heart in a classic tale of overcoming the monster. Napoleon Dynamite meets The Goonies, in an 80s-inspired kid's comedy with a 21st century twist.

Written and Directed by Mustapha Kseibati, Produced by Michael Berliner Music by Performance - 'Reptile'.

Sound Post for Independent Films: PT1

Over the next few weeks, we'll be posting blogs giving an insight to sound post production on the latest independent feature film by Agent Pictures, 'ELIMINATE: Archie Cookson'

An offbeat espionage thriller which follows the life of MI6 spy Archie Cookson (played by Paul Rhys of BBC Three’s Being Human, Robert Altman’s film ‘Vincent and Theo’ and Attenborough’s ‘Chaplin’). Sidelined in his job and ignored by his estranged wife (Claire Skinner, of the popular BBC TV comedy Outnumbered, Tim Burton’s ‘Sleepy Hollow and ‘Bridget Jones’s Diary’) and eccentric, precocious offspring, things take a turn for the worse when he stumbles upon classified tapes that no one was meant to hear.

From the outset, we worked closely with Rob Holder (director/writer) and Ioanna Karavela (producer), to create a sound post schedule that was flexible, allowing Agent Pictures to continue with the picture post work-flow (Edit/Grade/VFX) concurrently, all working towards the films deadline. We applied our extensive experience to create an engaging soundtrack, whilst dealing with the day-to-day challenges that go with independent feature film post production.

After a few meetings with the production team, we planned the sound post using our in-house system. The film was shot in Bristol and this vibrant city was our first port of call in order to record atmos sound pick-ups for the films main scenes. We chose locations that would most closely replicate the films intended feel and in some instances, we visited the exact locations to gather the appropriate sound in surround format. Back at the studio, this sound was layered with our extensive library and wild-tracks provided by location sound recordist, Daniel 'chu' Owen. Each room and location in the film has it's own sound signature, which also changes depending on the mood of the scene.

"We're keen to create unique sound beds for every film that are realistic, have depth, and maximise the dynamics from scene to scene. The background sounds really matter in a film: it's all about the details"

For more location pictures and comments, please click here:

"Dreambase Studios specialise in bespoke sound for independent films and digital media. With our combined 25 years as Dolby sound consultants we can develop the sound on your project from concept and script to delivery, including theatrical release. By offering creative sound, technical advice and extensive industry knowledge we can tailor make a package that keeps your sound post production on track. We understand budgets, deadlines, problems and people! Please drop by for a chat and a demo of our work"

ADR Session for Pleasure Droid 3000

Last weekend saw Dreambase Studios recording an ADR session for new high-profile short film, 'Pleasure Droid 3000'. The film is produced and directed by Oliver Purches and was written by Stephen Scott-Hayward. Set in the near future this sci-fi comedy is about a guy who takes his robot girlfriend back to the shop were he bought her, complaining that he bought the 'pleasure model', but his robot is acting like a real woman! The film is cast with James Harrison, Richard Cambridge, and Jessica-Jane Clements, star of BBC series 'The Real Hustle'. Pictured from L-R are: James Harrison, Jessica-Jane Clements, Stephen Scott-Hayward, Kate Timmons and Oliver Purches.

For those not familiar with the term, ADR stands for Automatic Dialogue Replacment or Additional Dialogue Recording, and happens when production dialogue recorded when the cameras were rolling is unsuitable for the final version of the film, perhaps because there was too much background interference for instance.

Experience Dolby Mobile surround sound

We were recently commissioned by global entertainment technology company Dolby Laboratories to provide concept and sound design for a series of 5.1 soundbites to help promote the new Dolby Mobile microsite. Working with the Dolby creative marketing team and Bristol based digital marketing agency True Digital we designed four distinct 'soundbites' to put you right in the centre of the action. The microsite also features several soundtrack examples from well known films plus a specially made video by UK beatbox champion Beardyman!

So grab your headphones and click to the Dolby Mobile microsite to see what it's all about. You can also download the soundbites to your computer or mobile phone.

Buffalo Black and Asian Film Festival

The film Our Time Alone, directed by Gurchetan Singh and produced by Hank Starrs came runner up as Best Short film at the Buffalo Black and Asian Film Festival, held at the Battersea Arts Centre on 6th June. The festival presents the very best of Black and Asian short films and is attended by development executives from Channel 4, BBC Drama, UKFC, Miramax and Working Title, amongst other media professionals.

Dreambase Studios provided sound design and mix for the film, which has been consistently well received at all screenings. Watch the trailer for the film here.

Wootton Bassett Arts Festival Support

Running from the 10th to the 14th June, the 2010 Wootton Bassett Arts Festival (WBAF) brings art, creative writing, music, speech and drama right into the community, giving the opportunity for all to exhibit and compete for prizes in a variety of classes. Following a highly successful 2009, this years WBAF is being looked forward to with great anticipation. The WBAF is affiliated to the British and International Federation of Festivals for Music, Dance and Speech (BIFF) of which Her Majesty the Queen is Patron. This year the festival brings a new range of art and photography classes, including a 3-D artwork section. The creative writing section includes categories for poetry, monologue and journalism, to name a few. The speech and drama section includes solo acting, prose reading, public speaking and debating, amongst others. Lastly the music section covers choirs, vocal, and instrumentals, including ensemble and piano sections.

Please visit the WBAF website for more information and to enter a piece of work into the festival.

Dreambase Studios is proud to be supporting the festival this year and we're offering the winners in the Adult Choir category a chance to record their show piece in our own studios or on location.

16 June: UPDATE: The Lingmara Community Choir won the Adult Choir category, a sample of their music can be found here:

Installation of Plasma

We have been very busy juggling clients and the completion of the studio installation. Today was the arrival of our 50" HD Plasma. It really does look great and will be a huge improvement for the clients, offering a fantastic HD picture whilst mixing 5.1 soundtrack.