Tuesday 24 January 2012

Dreambase Studios Newsletter 2012














For more information on the projects above, click here.

Dreambase Studios is a creative production and post-production facility built on 25 years of film industry expertise.  We work across all media platforms, including film, TV and web, on projects such as feature films, television, commercials, animation, music and corporate videos and alternative content.

With our network of trusted contacts within the industry we are able to offer a one-stop solution for all your creative media requirements, overseeing the entire production if required.  Our services include: directing and producing; story-boarding; filming; location sound; editing sound and picture; sound design; mix; composition; and deliverables for all platforms as well as a range of additional design and media services.  We provide a free initial consultation on every project.

Our extensive working knowledge and background in the international film industry means we aim to bring film standards to everything we are involved in to raise the bar for all your projects.  Working closely with our clients, we pride ourselves on maintaining high quality while providing innovative solutions with excellent communication at all stages. Please get in touch to discuss further. We look forward to working with you.

Tuesday 3 January 2012

Sound Post for 'The Harsh Light Of Day'

Dreambase Studios have recently completed the sound post production on British Independent Horror film, The Harsh Light of Day. Directed by Oliver Milburn and produced by Emma Biggins at Multistory Films. We worked with them to create a dynamic, theatrical mix that keeps you on the edge of your seat.

SYNOPSIS: After returning home from the launch of his book about the occult, Daniel Shergold's house is broken into by thugs, who beat his wife to death and leave him paralyzed. A depressed agoraphobic in his secluded country cottage, Daniel mourns the death of his wife while being cared for by home nurse, Fiona. He is unable to accept the lack of success the police have in finding his wife's killers. Daniel accepts a visit from a mysterious stranger who insists he can help him reap revenge. He agrees and is thrown into a strange and horrific transition into darkness. With renewed strength, Daniel sets out to avenge his wife's murder, but at what cost?

From the outset HLOD needed a soundtrack that was set 'completely in reality' one minute and then going 'off on one' the next. These dynamics were intended to give the viewer a full gamut of aural experiences, from a comfortable almost anodyne setting to uncertain, or at times excruciating pieces.

Shooting outdoors and on the coast presented the usual sound issues, so wild tracks, Foley recordings and sound design were used extensively to convey the appropriate sentiment in these scenes, from water lapping on a pebbly beach to the atmosphere of a dock yard. In contrast, the 'sound' of the house in the film is almost silent, again to emphasise the isolation of the cottage and to ensure the film exhibited plenty of sound dynamics.

The film's producer Emma Biggins commented at the premiere: 'the screening went really well tonight - looked and sounded fantastic'

HLOD is released in cinemas on Friday 13th April 2012.